This CD, to the best of my knowledge, was never a proper LP. Rather, it is a collection of singles. They are either duets or solo performances, from sometime in the mid to late-60's, the peak of the rock steady period (which was basically Jamaican interpretations of the Detroit and Memphis R&B scenes).
To the unacquainted: Alton, at this stage in his career, was the Jamaican Marvin Gaye and on these performances espescially, the subtle nuances (use of breath sounds, vibrato, etc.) of his voice are without fault. He gives the impression that he can bend and shape a tone at will. Now, on the other hand, Hortense displays an Astrud Gilberto-esque innocence. It's as though she's singing, not as a professional but, as a result of having actually lived the tribulations behind these love songs.
Amazing productiuon and engineering. Tactful and subtle musicianship. And other than the altered "Breakfast in Bed" (a racy little tune that, as the metaphors reveal themselves, makes one wonder how it actually recieved airplay), none of the songs have been remixed or dubbed over. These are classic rock steady performences that rival America's best and most soulful moments.If you've got friends that can't get past the (horribly misinterpreted) hippie stigma of reggae, this is the record that will win them over!