Born out of the need for experimentation PALYRRIA is a band that has devised and perfected its own, unique musical style. Created in 1996 as a dance project it wasnt until 1999 that the band decided to turn into its own musical direction, a mixture of western electronica and traditional music from around the Mediterranean. They call it world-electro and indeed this music is neither electronic nor ethnic. PALYRRIA has always been fascinated by traditional music and some of the bands members have worked with renowned traditional musicians, but living in Greece one realizes that traditional music goes way beyond the last millennium, back in times when people chose to express themselves in much more ecstatic and paganistic ways. Ancient ceremonies around the Mediterranean have always been filled with music and musical expression. It wouldnt be far from the truth if one was to draw a parallel between those events and the rave parties the world witnessed in the beginning of the nineties. The similarities are striking and have been the source of inspiration for the dynamic musical context of PALYRRIA. Aeolian scales, pentatonic music, instruments that come out of the depths of history, are presented alongside pumping bass lines, techno grooves, vocoders, clicks and cuts, in an attempt to create music that transcends the centuries and is both ancient and futuristic at the same time. Let the strangeness ware off and enjoy music that comes straight from the source.
Εμφάνιση αναρτήσεων με ετικέτα electronic. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα electronic. Εμφάνιση όλων των αναρτήσεων
Τρίτη 23 Ιουλίου 2013
Palyrria - Palyrria [2004]
Born out of the need for experimentation PALYRRIA is a band that has devised and perfected its own, unique musical style. Created in 1996 as a dance project it wasnt until 1999 that the band decided to turn into its own musical direction, a mixture of western electronica and traditional music from around the Mediterranean. They call it world-electro and indeed this music is neither electronic nor ethnic. PALYRRIA has always been fascinated by traditional music and some of the bands members have worked with renowned traditional musicians, but living in Greece one realizes that traditional music goes way beyond the last millennium, back in times when people chose to express themselves in much more ecstatic and paganistic ways. Ancient ceremonies around the Mediterranean have always been filled with music and musical expression. It wouldnt be far from the truth if one was to draw a parallel between those events and the rave parties the world witnessed in the beginning of the nineties. The similarities are striking and have been the source of inspiration for the dynamic musical context of PALYRRIA. Aeolian scales, pentatonic music, instruments that come out of the depths of history, are presented alongside pumping bass lines, techno grooves, vocoders, clicks and cuts, in an attempt to create music that transcends the centuries and is both ancient and futuristic at the same time. Let the strangeness ware off and enjoy music that comes straight from the source.
Ετικέτες
ambient,
electronic,
world beat
Παρασκευή 7 Δεκεμβρίου 2012
Nils Petter Molvær - Khmer [1998]
Khmer is surely the most unusual album ever released by ECM -- unusual because the label, which is best known for elevated chamber jazz, presents the solo debut of trumpeter Nils Petter Molvaer as a production that plays with modern electronica methods while not eschewing the well-known ECM aesthetic. Molvaer's music is somewhere between scary and majestic, and changes between ominous ambient sounds and hard breakbeats, along which atonal screeching guitars combined with melancholic melodies, create a fascinating mélange. Above all this thrones Molvaer's trumpet: lyrical, hectic, calm and sad, trembling and screaming. Molvaer is one of the most progressive and intelligent voices in jazz today, and with Khmer he's recorded one of the best jazz albums of the '90s.
Enjoy!
Ετικέτες
electronic,
jazz
Τετάρτη 26 Σεπτεμβρίου 2012
Toufic Farroukh - Drab Zeen [2002]
Drab Zeen represents one of the finest examples of this important emerging new sub-genre, Arab-jazz. The genius of this disc is how Farroukh has effortlessly melded such disparate elements as jazz trombone and saxophone, chill-beats, French vocals, acoustic piano, oud, ney, and accordion into a singly tapestry of unique sounds, all the while retaining the essential elements of each instrumental voice even as he transforms the whole into something entirely new and heretofore unheard.
Farroukh has grown in every facet of his music-making: tighter and more evocative compositions, a richer and more varied sound palette, cleaner production, superior sax blowing, and a deeper groove.
An altogether remarkable disc.
Enjoy!
Ετικέτες
electronic,
folk,
jazz,
world beat
Κυριακή 2 Σεπτεμβρίου 2012
Jay Mitchell - Mustang Sally [1972/2007]
Another Numero Group gem, this time lifted from their Cult Cargo: Grand Bahama Goombay compilation. The A-side features a full thirteen minute rendition of 'Mustang Sally' that borrows heavily from James Brown in its funk-enhanced breaks, laced with a standout Hammond organ line throughout. On the other side you get a couple of extra versions, 'Le Spam's Edit' and the 'Shoes Ready To Ride Mix' which shifts into a soulful, laidback house groove in fine style.
Enjoy!
Ετικέτες
electronic,
funk
Τετάρτη 22 Φεβρουαρίου 2012
Nodens Ictus - Spacelines [2000]
NODENS ICTUS features members of OZRIC TENTACLES and EAT STATIC
presenting a mixture of live with heavy use of synths and a range of
influences from western to eastern. "Spacelines" is one of electronic
music, and has almost no links with the neo-psyche of OZRIC TENTACLES.
Everything sounds crystal and clear on this hour of lush electronic
sounds. These recordings date from 1986 to 1989, with two tracks from
the year 2000. Psychedelic software for your mind...!
Ετικέτες
ambient,
electronic
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